George McKay

George-McKay-Stavanger-2011-hi-res

George McKay joined UEA as Professor of Media Studies in November 2014. Previously he was Professor of Cultural Studies at the University of Salford (2005-14), where he established and directed the Communication, Cultural & Media Studies Research Centre, and Professor of Cultural Studies at UCLan (2000-05).

He is currently engaged as an Arts & Humanities Research Council (AHRC) Leadership Fellow for its Connected Communities Programme (2012-18). In 2015-16 this includes The Impact of Festivals project, in collaboration with research partner EFG London Jazz Festival, and postdoctoral research assistant Dr Emma Webster. He is also co-investigator (2015-18) on the EU Heritage+ project, Cultural Heritage and Improvised Music in European Festivals (CHIME). 

Among his books are Senseless Acts of Beauty: Cultures of Resistance since the Sixties (Verso, 1996), DiY Culture: Party & Protest in Nineties Britain (ed., Verso, 1998), Glastonbury: A Very English Fair (Gollancz, 2000),Community Music: A Handbook (co-ed. with Pete Moser, Russell House, 2004), Circular Breathing: The Cultural Politics of Jazz in Britain (Duke UP, 2005), Radical Gardening: Politics, Idealism and Rebellion in the Garden (Frances Lincoln, 2011), Shakin’ All Over: Popular Music and Disability (University of Michigan Press, 2013), andThe Pop Festival: History, Music, Media, Culture (ed., Bloomsbury, 2015).

He was founding co-editor in 2002 of Social Movement Studies: Journal of Social, Cultural and Political Protest (Routledge), and associate editor (1993-2002) of the BAAS Paperback Series (Edinburgh UP). He was special issue editor of the journal Popular Music (28:3; 2009) on the theme of popular music and disability. He currently co-edits the Connected Communities: Creating a New Knowledge Landscape series for Policy Press, is a member of the editorial board of Jazz Research Journal and consulting editor of Social Movement Studies.

Professor McKay’s website is georgemckay.org; it contains comprehensive information about his research—including lots of open access links—books, events, reviews, even a little about his music (semi-pro jazz double bassist).